Colm Toibin Quotes & Sayings

“It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of the need to find new ways of reading the past as an inspiring way of thinking about everything else, including the present.”

“The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens.”

“I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway, and I would disapprove of it.”

“The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small matter of dogma and none of us seemed more religious than anyone else, no one ever questioned the rituals or the basic tenets of belief.”

“You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.”

“I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'”

“The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.”

“The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.”

“The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one.”

“I first went to Barcelona in 1975 after university, and I stayed for three years. I learnt Catalan because that's what everyone speaks in the mountains. They speak English to foreigners, but what people say to each other is much more important than what they say to you.”