Jim Henson Quotes & Sayings (Page 2)

“It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous.”

“Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US.”

“It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself.”

“NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.”

“I was very interested in theatre, mostly in stage design. I did a little bit of acting.”

“Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.”

“If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities.”

“There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday.”

“You're assisting the audience to understand; you're giving them a bridge or an access. And if you don't give them that, if you keep it more abstract, it's almost more pure. It's a cooler thing.”

“Somebody like a Piggy or a Kermit, there needs to be several versions and so there will be several of them.”