“Every film is faced with the enemy of time. Only so much story can fit into the 90-150 minutes of time that moviegoers are willing to stay in their seats. Naturally, compression is necessary. So are the exclusion and amalgamation of characters so that the viewer does not become bewildered.”
“I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'”
“I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.”
“It's hard to make a living doing documentaries. Frankly, if it takes you five years to do a film, and that's the only film you're doing, you're in trouble.”
“Jesus Christ never preached there should be celibate priests. The only reason the church has this is because it's a mechanism of power and control. You can control priests who are celibate.”
“The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'”
“When we go to war, our politicians will be guided by our popular will. And if we believe that torture 'got' bin Laden, then we will be more prone to accept the view that a good 'end' can justify brutal 'means.'”
“You have to assume once you go online, anything you put there can be made public. Yet while you're online, you feel like it's a private, sacred space. But you're really broadcasting to the world.”
“'24' glamorizes torture. I don't think there's any other way of putting it.”
“I don't consider myself a very good talker or writer but a pretty good filmmaker.”