Christopher Nolan Quotes & Sayings (Page 4)
Christopher Nolan quotes and sayings page 4 (54 year old director). Here's quote # 31 through 40 out of the 44 we have for him.
“For the last 10 years, I've felt increasing pressure to stop shooting film and start shooting video, but I've never understood why. It's cheaper to work on film, it's far better looking, it's the technology that's been known and understood for a hundred years, and it's extremely reliable.”
“I sometimes think how strange it is that I've got to do exactly what I want, and that is difficult to cope with. You have to remind yourself every few weeks: I'm making this film and this is exactly what I want to do. And suddenly you're happy again.”
“The thing with computer-generated imagery is that it's an incredibly powerful tool for making better visual effects. But I believe in an absolute difference between animation and photography.”
“But in the back of my mind I've always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie, if it's done really well. And so that aspiration is always it for me, if I have the opportunity to do it.”
“I have always been a huge fan of Ridley Scott and certainly when I was a kid. 'Alien', 'Blade Runner' just blew me away because they created these extraordinary worlds that were just completely immersive. I was also an enormous Stanley Kubrick fan for similar reasons.”
“But I have been interested in dreams, really since I was a kid. I have always been fascinated by the idea that your mind, when you are asleep, can create a world in a dream and you are perceiving it as though it really existed.”
“I think there has been this increasing misperception that kids will not respond to something because it's also for adults. I think that often that tends to get underestimated.”
“I try not to have actors in mind when I write because the tendency then is to be influenced by either their last performance or your favourite of their performances.”
“Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it.”
“When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.”
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