“You bring out a lot of your own thoughts and attitudes when acting. I think a great deal of it has to do with the inner you.”
“Over the years, myths were built up about my relationship with Fred Astaire. The general public thought he was a Svengali, who snapped his fingers for his little Trilby to obey; in their eyes, my career was his creation.”
“Sure, jets are fast and economical, but, oh my, what fun we've lost and what leisure we've sacrificed in the race to efficiency. Somehow, stepping onto a plane and zooming across the United States in a matter of hours doesn't hold a candle to the dear, old-fashioned train ride.”
“I had been making films for almost ten years, and the head men at RKO thought of me only in terms of musicals. I found no fault with that, except I just couldn't stand being typed or pigeonholed as only a singing and dancing girl. I wanted to extend my range.”
“My faith in humanity leads me to believe that people are looking for something more elevating than the sordid details of the intimate aspects of one's personal life.”
“I don't disagree with seeing a Rubens of a nude body, but I don't believe in a nude body in action. With Rubens, thank goodness, they aren't in action.”
“During my seven-year contract with RKO, there were seven different studio presidents, from David O. Selznick to Charles W. Koerner. You literally had to check the name on the door so as not to call the new boss by the former boss's name.”
“I made my last motion picture in March 1965 for Magna Pictures. 'Harlow,' based on the life of actress Jean Harlow... I didn't know at the time that 'Harlow' would be my last motion picture.”
“People are still people no matter how you cut it.”
“I traveled with my mother, Lela, and there was never enough money. I always had to roll down my silk stockings and carry a doll when we bought train tickets so I could go half-fare. If we had $3, we always figured how to tip for the trunks and still eat.”