Jerry Saltz Quotes & Sayings (Page 9)

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Jerry Saltz quotes and sayings page 9 (critic). Here's quote # 81 through 90 out of the 125 we have.

Jerry Saltz Quotes
“Think of an abstract painting as very, very low relief - a thing, not a picture.”
Jerry Saltz Quotes
“To me, nothing in the art world is neutral. The idea of 'disinterest' strikes me as boring, dishonest, dubious, and uninteresting.”
Jerry Saltz Quotes
“Turns out Picasso's passion for uncertainty, mystery, and the thrill of life never ended.”
“Artschwager's art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing you're looking at so that it might mushroom in your mind into something that triggers unexpected infinities.”
Jerry Saltz Quotes
“Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.”
“Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.”
“First let me report that the art in the Barnes Collection has never looked better. My trips to the old Barnes were always amazing, but except on the sunniest days, you could barely see the art. The building always felt pushed beyond its capacity.”
“In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened; everything in America was being questioned.”
Jerry Saltz Quotes
“New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.”
Jerry Saltz Quotes
“Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.”

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