“It would be great to have Bach in one corner, Bessie Smith in another, John Lennon in another. That's what I'd ideally like. A studio of the dead.”
“'The Tube' was the first time the plebs had gone on the television. The lunatics taking over the asylum.”
“At 11, I went to live with my maternal nan and granddad temporarily, after my parents separated, and Nan would let me have a go on her piano. My grandparents were like something out of the Noel Coward play, 'This Happy Breed,' and it was magical to hear them sing music-hall songs.”
“Due to my work, I tend to stay in hotels a lot of the time, and I generally prefer smaller hotels, as you tend to get better service than in the larger hotels.”
“Early on with Squeeze, we played the Hope & Anchor with U2. Three people turned up. Then two left. Then the last person left. That's the least-attended show I've ever done.”
“I am a keen medievalist and like going around museums and ruins and finding out about the people and local culture. I'm not one for sitting by a pool or lying on a beach. I also like to sketch while I'm on holiday, if I have time.”
“I learned to play by ear before I learned music theory. For me, that makes sense. After all, children learn to speak before they read and write. The more you understand of music - how harmony and time signatures work, and what chords and inversions are - the more you'll enjoy it.”
“I like to think of myself as Prince Charles's friend. He's a great fellow. There are always people trying to knock him, but The Prince's Trust is one of the biggest supporters of young people in Britain.”
“I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!”
“I only know about a few things, but I am quite good at bluffing. There are a whole range of subjects, including the Renaissance, which I am prepared to sound expert on.”