“We are all regionalists in our origins, however 'universal' our themes and characters, and without our cherished hometowns and childhood landscapes to nourish us, we would be like plants set in shallow soil. Our souls must take root - almost literally.”
“Love commingled with hate is more powerful than love. Or hate.”
“Our enemy is by tradition our savior, in preventing us from superficiality.”
“The great menace to the life of an industry is industrial self-complacency.”
“I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.”
“My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.”
“When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.”
“As a farm girl, even when I was quite young, I had my 'farm chores' - but I had time also to be alone, to explore the fields, woods and creek side. And to read.”
“'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves.”
“I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.”