“You rarely pay the rent by doing Shakespeare or Ibsen.”
“But I loved the theatre and I was just doing theatre 24/7 and kept dropping courses because I didn't have the time and the chancellor thought that wasn't a good idea after awhile.”
“During 'Chicago Hope,' I never let directors talk to me, because I was so spoiled. I started off with people like Milos Forman, Sidney Lumet, James Lapine, unbelievably gifted people. So there I was, saying, 'Don't talk to me, I don't want your opinion.' I behaved abominably.”
“I belong on the stage. I love how the day's events, whatever you read in the newspapers or watch on the TV, are reflected in the performance and how it's received.”
“I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.”
“I try to get that across in the work, to try to, if I'm lucky, to make this world a little bit better for all of us before I check out. And that's if I'm lucky, I don't always get to have that privilege but I try always.”
“I'm on the board of directors for Peace Now, which works tirelessly between the Palestinians and the Israelis to create peace in the Middle East and we've never been closer.”
“If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself and wipe myself off the face of the earth.”
“In the hands of good writers, you have the opportunity to present both sides of an opinion equally and that you leave it to the audience to listen and then make up their own minds.”
“The great fun for me is these collaborators. I'm nothing by myself. Being with these people, whether it's the 'Homeland' cast or stage collaborators, they make you everything you are. They make you come to work. They make you be alive.”