“When a writer tries to copy another writer, it's doomed to fail.”
“Agatha Christie never wrote books that just started with a dead body, and a 'Let's find out who the murderer is', which is kind of mysterious but not that mysterious. She always started with, 'How can this thing be happening; isn't it strange?'”
“Everything is personal - the poems and the crime novels. I have never been involved in any murders, but there are strong autobiographical elements in each.”
“For me, a big part of writing psychological thrillers is choosing crimes committed for motives which would only apply to a particular person in a particular situation; a unique, one-off motive that is born out of someone's particular range of psychological afflictions.”
“I am actually incredibly contented and jolly. But, and I have no idea why this is, I have a really strong empathy with all kinds of warped and destructive modes of thinking. I don't know why, but those things co-exist.”
“I am trying to write novels for properly clever people, but I also want them to be proper novels that also stick in a person's mind and have an atmosphere about them.”
“I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.”
“I was working as a secretary in Manchester and thought I would always do that. Then I got this letter offering me a two-year fellowship where I could write; they would pay me a salary and give me a flat to live in. It was heaven.”
“I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'”
“No highbrow literary type would ever say 'Moby Dick' is good but it's just about a whale, or a Jane Austen would be important if she wasn't just writing about romantic relationships.”