“I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.”
“Many, many times I find that whatever is looking good on the screen doesn't always look or feel good on the body. So who do we design for - do we design for the screen, or do we design for women?”
“I wanted to go out of fashion, to study medicine. I thought, you know, who needs fashion? How important is it if you wear a red dress and an orange jacket? It's not, really.”
“If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.”
“One woman told me that every time she wears Lanvin, men fall in love with her. Another told me she wore Lanvin to face her husband's lawyer because she felt protected. If I can make men fall in love with women and if I can protect women, I think I can die peacefully.”
“Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.”
“When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.”
“All I want is beautiful. I mean, I like grey hair, I love wrinkles. But this is me.”
“Women can dream at 9 in the morning and at 10 o'clock at night - it doesn't matter.”
“I like dresses for night; I like after-party more than party. I like the mystery; I like the dream, like fantasy dresses. I think, also, that you make women dream.”