“The heritage of a British actor revolves around the challenges of playing the classic roles to meet certain levels of success as an actor. In America, the heritage of an actor is based on cinema mainly.”
“I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.”
“I'm 100% Celt. In fact, I'm directly related to the progenitor of the high kings of Ireland, Niall of the Nine Hostages.”
“There's so much light in Broughty Ferry. I think the humour in Glasgow is darker, because it's much more gloomy, there's a perpetual misery there.”
“I think I must be the only British actor who's played both Stalin and Trotsky. I need to play Lenin so I can make it a triptych.”
“People always make that mistake when they talk about theatre - the notion of the 'theatrical' meaning something separate from life. If it doesn't relate to life, it doesn't relate to anything.”
“The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.”
“For me, it's just acting. It's pretending. The best actors are children, and children don't do research. You never see a child going, 'I'm wondering about my motivation here. How can I do this toy? How can I do this train? I don't feel train.'”
“I used to do a lot of fencing in the theater and a lot of horse riding in the early days, so I'm used to it in a way. If you're classically trained like I am, it's a little bit like mother's milk to me. I enjoy it.”
“I always think I look like the Elephant Man - I can't get used to my own image.”