“I think that all the talented filmmakers sort of share, I think, a sense of allowing magic to happen; of creating a stable and secure environment for performers to feel they can push to the end of their ability.”
“I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.”
“I think, as a younger actor, you are more open to the experience. And to an extent, you want to go into things blind and energised as if you were 15. Keep that terror.”
“I was probably 14 or 15 when I was first on stage at school doing 'Measure for Measure.' I immediately felt it was a great way of expressing oneself at a moment when I didn't think I could express myself, really. I suddenly had access to this range of emotions and thoughts and feelings that were there in me. I was surprised by that.”
“I'd never really considered film. If I'd thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.”
“I've always liked the idea of being a father. And I've always romanticised it, because I lost my father when I was young. In a way, all of the complications that come with my career are about that.”
“I've just tried to keep my eyes open, tried to read everything you can, and tried to see whether I see myself within it. If I do, then I can get excited about it.”
“It's hard to maintain a life when you do a play. You feel you have to pretend to go through a normal day, knowing that in the evening you'll be doing this.”
“London and L.A. are both places I feel I can call home. It's a nice balance of Californian calm and that slightly more engaged, electric London vibe that I've always loved.”
“Normally, if you're lucky, the idea of a film you have in your head is more or less what you get back when you see it after the editing and the whole post-production process.”