“It's almost embarrassing, but I do have one trick for taking portraits on commission. I carry one of these little bicycle horns in my pocket, and once in a while, when someone is sour-faced or stiff, I blow my horn. It sort of shatters the barriers. It's silly, but it works.”
“The most awful museums are in China. They have magnificent stuff on display and just the worst way of displaying it. They just don't spend money on lighting and installation.”
“The thing is that when you don't carry a camera, that's when you see pictures in particular, or at least that's when you think you see pictures in particular. When you do carry it, if you do see one on the occasion that you do, you can take it.”
“You can find pictures anywhere. It's simply a matter of noticing things and organizing them. You just have to care about what's around you and have a concern with humanity and the human comedy.”
“When I get up in the morning I brush my teeth and go about my business, and if I am going anywhere interesting I take my camera along.”
“In those simpler days, you could just take pictures of movie stars and show them the way they were, as normal human beings. And if I felt part of any movement at the time, it was just to do that - to be journalistic and photograph what is, rather than what is made up.”
“Making books is a very specific kind of activity. It's not really a collection of your best pictures - although it is - but it's also a way of presenting your work so that it's not repetitive, so that it flows, and so that it makes sense in a book.”
“Professionally I've evolved with what's required, but the pictures I do for pleasure haven't changed, except for the cars in the background, the clothing. I haven't changed at all.”
“Covering a historic event is perfectly legitimate. It's not sneaking into somebody's boudoir... These people belong to history, and not to record that if you have the opportunity would be wrong.”
“All of my marriages lasted seven years.”