“I remember in Shallow Grave I remember a few times when we'd only have to do one take. But when you did have to do more than one, you'd build on the one you'd done.”
“I think it's quite tricky for actors to release albums. It's difficult, because I'm an actor, you know, I'm not a musician. I love singing, but I don't have a big repertoire of songs that I've written; I mean, I've got a few, but nothing that I could fill an album with, and I don't want to do it just for the sake of it.”
“I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.”
“I'm sure it's not great fun for them, or for any parent, when their child says they want to be an actor, 'cos it's quite an uncertain business and it can be terribly hard for most actors.”
“Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.”
“The script, I always believe, is the foundation of everything. And if you don't connect to that foundation, if you don't believe in that and feel that you wanna spend three, four months of your life exploring it, then all of the other elements are secondary.”
“Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.”
“Ultimately, you have to not worry about people thinking you should have played him differently. You're the one playing the part so it has to be yours.”
“When you take away the phone and e-mail and you don't have a million things to run around to, it allows your mind the space to think more expansively about the things that matter.”
“You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.”