Guy Gavriel Kay Quotes & Sayings (Page 3)
Guy Gavriel Kay quotes and sayings page 3 (70 year old author). Here's quote # 21 through 30 out of the 32 we have for him.
“I don't know a writer who doesn't feel some sense of glamour and magic and a complex, wistful sadness emanating from the expats of the twenties in France. Some of the sadness, of course, is that we weren't there.”
“I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree.”
“I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.”
“I want readers turning pages until three o'clock in the morning. I want the themes of books to stick around for a reader. I'm always trying to find a way to balance characters and theme.”
“I'm happier not pretending I know anything about El Cid in Spain. He's a Spanish national hero. I'd rather invent a character inspired by him but clearly not identical to him. And then I feel liberated creatively.”
“In general, the main themes emerge early for each book, even before the storyline and characters, as I research the time and place I want to draw upon. Having said that, every single book so far has offered me surprises en route, and these include motifs that come forward as I am writing.”
“It's worth being suspicious of writers - or anyone! - who does that myth-making thing. There's always a tendency to retrospectively impose structures on a life. Life as it's lived has a far more complex shape.”
“My privacy concerns have to do with the world, other people, technology intruding upon us - what Talmudic scholars once called 'the unwanted gaze.' Here I see major issues and concerns as society evolves, and I've written often on the subject.”
“Significant consequences can begin very inconsequentially. That's one thing that fascinates me. The other thing that fascinates me is how accident can undermine something that's unfolding, something that might have played out differently otherwise.”
“The very best way I can make any reader believe in the nuts and bolts of an art form... is to know the mechanics, to make the characters grounded in convincing detail.”
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