James Cameron Quotes & Sayings (Page 5)
James Cameron quotes and sayings page 5 (70 year old director). These are the last 9 out of 49 quotes we have for him.
“I certainly didn't think of myself as gifted. The standards for being gifted in my environment were if you were good in Little League or if you were good in football.”
“I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.”
“I believe 3D is inevitable because it's about aligning our entertainment systems to our sensory system. We all have two eyes; we all see the world in 3D. And it's natural for us to want our entertainment in 3D as well. It's just getting the technology - it's really more the business model than the technology piece. We've solved the technology.”
“I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.”
“People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.”
“So much of literary sci-fi is about creating worlds that are rich and detailed and make sense at a social level. We'll create a world for people and then later present a narrative in that world.”
“It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with.”
“It'll be all of our efforts together. It won't won't ever be exactly the way I imagined it. And that is, I think, an important lesson as well, is that in any group enterprise it's going to be the sum total of the group.”
“I actually started as a model builder and quickly progressed into production design, which made sense because I could draw and paint. But I kept watching that guy over there who was moving the actors around and setting up the shots.”
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