“You know, you become an artist, you become an observer, of life, and you digest life by making art about it.”
“I was trying to break out of the suburbs, and when I did break out, I don't think I took my whole self with me - I think I played a role of being too cool and hip.”
“The other day I was reading a blog and I linked over to Streisand's Web site, and it was amazing politically. She's so insightful and incisive. And she also says whatever she wants.”
“Composing gives me a chance to work in multiple dimensions and helps me pare down my melodies into what is essential. Learning new skills has always energized me and scoring has opened up a world of sonic possibilities.”
“Guys don't really don't wanna hear if it's really smart, and women feel uncomfortable if you reveal stuff they're going to have to remember they did themselves.”
“I ended up becoming so self-conscious that my songs stopped being about my life and started being about what people thought of my music. And that was really bad.”
“I mean, I kind of remember... I'm 36 now, so it's kind of hard for me to relate to what it was like when I was 25, or 24, but I do remember a period in time when that's how I defined who I was, by the music I listened to and the movies I went to.”
“I probably had some impact, because everyone keeps telling me that I did. I like to feel like I'm coming out with something to try to make room for other young women to make their art.”
“I'm just out of touch with new music in general, and I only know about it if I'm hanging out with someone that knows about it, or I catch it on YouTube.”
“Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.”