“What I do know is that writing is the thing I am best at, and I don't have the stomach, the ability, the strength or the courage to enter the political arena. And I think writing can be a political act, if only to let those people accountable know they are being watched. Literature can be a conscience.”
“I love my homeland, but it's an absurd country. Politics in the Philippines is like spectator sports!”
“I've learned that I have to be happy with creating discussion and debate and that I shouldn't be trying to write a book that appeals to the consensus.”
“With 'Ilustrado,' I set out to change the way we read literature, and I think I failed spectacularly. In fact, I know I failed. In reaching further than I could, I may not have produced a life- or literature-changing book, but I did produce one I am proud of.”
“I don't believe in nationalism. I think it's a bunch of slogans. It's a bunch of poor attempts at creating pride. My problem with nationalism is that it becomes exclusionary. We start to exclude people.”
“I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to Australia when she went to her university and I moved with her. We moved to Montreal because she was going to take her year abroad, and I wanted to see if I could keep on writing there. It's really hard to make it as a writer in the Philippines.”
“I want to write a book that makes people debate, and makes people think, interact with each other and exchange ideas... I write because I'm engaged in this big conversation.”
“The Philippines, it has a politics of patronage. Family and favors, in addition to the old cliche of guns, goons and gold, really do still hold a lot of sway.”
“I look at western literature and especially North American literature, and I feel like it gets bogged down so much with all of that, with domestic stories and relationships and a woman dealing with the loss of her husband.”
“I read a blog about this young filmmaker in the Philippines who made a short film, and one of the characters in the film reads my novel and then starts discussing the novel with someone. The idea that my book can inspire another artist and be part of that other artist's work... that's the reason I write.”