“When men hear women want a commitment, they think it means commitment to a romantic relationship, but that's not it. It's a commitment to not floating around anymore. I want a guy who is entrenched in his own life. Entrenched is awesome.”
“I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think.”
“Anybody can have a birthday. It requires nothing. Murderers have birthdays. It's the opposite of anything that I believe in. And I don't like at work where you stop everything to sing 'Happy Birthday' to someone. I feel like that's for children.”
“I regard romantic comedies as a subgenre of sci-fi, in which the world operates according to different rules than my regular human world.”
“Sometimes I eavesdrop on people. I could rationalize it - oh, this is good anthropological research for characters I'm writing - but it's basically just nosiness. It also helps me gauge where I'm at: Am I normal?”
“I want a schedule-keeping, waking-up-early, wallet-carrying, picture-hanging man. I don't care if he takes prescription drugs for cholesterol or hair loss.”
“The funniest racism is the racism between minorities. It's something you don't see dramatized, but almost every minority I know who's my age, they have these funny stories about their parents stereotyping other minorities.”
“I have such a rich fantasy life, I can't help it. I do make up a lot of romantic stories in my head.”
“People talk about mumblecore but I prefer bumblecore, hyper-realistic bee movies about how bees really are.”
“When I was a little kid, I wrote this play about all these characters living in a haunted house. There was a witch who lived there, and a mummy. When they were all hassling him, this guy who bought the house - I can't believe I remember this - he said to them, 'Who's paying the mortgage on this haunted house?' I thought that was really funny.”