Siri Hustvedt Quotes & Sayings (Page 10)

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Siri Hustvedt quotes and sayings page 10 (novelist). These are the last 9 out of 99 quotes we have.

Siri Hustvedt Quotes
“There is a difference between using a made-up name and using real people as pseudonyms. People are not costumes you can wear. They are flesh and blood.”
Siri Hustvedt Quotes
“There was a film class in my high school in Northfield, Minnesota, which was very unusual. I saw my first Buster Keaton film there, aged about 15. It made a gigantic impression on me.”
“We live in a culture that is much happier talking about organic brain disease than about psychic illness because the former suggests that something that is physically wrong in a brain is wholly unrelated to that person's upbringing or experiences in the world, but that is not necessarily true.”
“When I was an impoverished graduate student, I would sometimes spend $20 or $30 on a T-shirt or accessory I didn't need or even particularly want. What I craved was the purchase, not the thing itself. Of course, a sense of not being deprived may fill an emotional void without ruinous consequences.”
“While reading 'David Copperfield' in the middle of the night - probably because of the light, I had insomnia for the first time - I looked out of the window and thought, 'If this is what books can do, this is what I want to do.'”
Siri Hustvedt Quotes
“With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.”
Siri Hustvedt Quotes
“Writers are in control of editing processes - making a sentence better, cutting out a paragraph. But the initial outpouring has very little to do with conscious control or manipulation.”
“Writing isn't a job so much as a compulsion. I've been writing since I was very young because for some strange reason, I must write, and also because when I write, I feel more alive and closer to the world than when I'm not writing.”
Siri Hustvedt Quotes
“Years ago, when I was in Siena for the first time, I saw the works of Duccio, whose deeply emotional painting from the thirteenth century has never left me.”

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