“I dreamed of having a Gibson. I had a cheap Kent - you know, a Japanese guitar - and then a Kanora, a Japanese guitar. I borrowed a friend's Harmony for years. To have a Gibson was really, really my dream as a kid.”
“I think Rush have always had this reputation, particularly to non-fans, of being an ultra-serious and cerebral group when, in fact, the reverse is true. We don't take ourselves seriously at all. Sure, we take our music seriously, but that's altogether different.”
“In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.”
“It used to be that you made an album and then you went on the road to promote that album, hoping for good record sales. Well, good record sales basically don't exist any more, and the emphasis has been more on the live show.”
“It's hard to stop wars, and it's hard to stop the abuse of the planet and all of those things. I guess you just do what you can do and voice your concern.”
“'Moving Pictures' still makes me get into a groove; I love the way it feels. But I'm not nostalgic for old times. I'd love to have that hair again and be 40 pounds lighter, but it's a tradeoff.”
“Pete Townshend is one of my greatest influences. More than any other guitarist, he taught me how to play rhythm guitar and demonstrated its importance, particularly in a three-piece band.”
“The more I got into playing guitar, the more I enjoyed music, and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.”