“All writers know how important a good title is. It's the first thing readers see, along with a knock-your-socks-off cover - a seductive 'come hither' for the story within.”
“I absolutely want and prize and love and revere every single media review I get, but if I got 50 reviews from major newspapers and one review from Amazon, I still would feel a little weird: 'What's going on? Why aren't people responding?'”
“I call Algonquin Books 'the gods and goddesses of publishing.' Not only did they give me a career, they care deeply about every writer in their flock.”
“I cried to my mother that I wanted to go to Hebrew school; I wanted Jewish friends. But when my mother took me, the kids there all knew each other, and somehow I was even more of an outcast.”
“I tell myself that some names can be mistakes, like Mxyplyzyk, a store in New York that lost customers because few could spell its name to look up the address. I tell myself that lots of writers agonize over titles, and often get them wrong at first.”
“I'm big on story structure. I studied with John Truby, who mapped out story by means of moral wants and needs, and that's what I do. Hey, so does John Irving.”
“Indie bookstores love writers as much as they love readers, and there is something about a community store, where you walk in, you feel known, and the delight in books is just infectious.”
“Is there nothing the prodigiously talented Ann Patchett can't do? She's channeled the world of opera, Boston politics, magic, unwed motherhood, and race relations, creating scenarios so indelible, you swear they are right outside your door.”
“While some of the big publishers might give out 200,000 advances, if your book does not hit some of the lists in the second week, they stop paying attention to you.”