Chimamanda Ngozi Adichie Quotes & Sayings (Page 2)
Chimamanda Ngozi Adichie quotes and sayings page 2 (writer). Here's quote # 11 through 20 out of the 42 we have.
“If you followed the media you'd think that everybody in Africa was starving to death, and that's not the case; so it's important to engage with the other Africa.”
“I am a bit of a fundamentalist when it comes to black women's hair. Hair is hair - yet also about larger questions: self-acceptance, insecurity and what the world tells you is beautiful. For many black women, the idea of wearing their hair naturally is unbearable.”
“I ask questions. I watch the world. And what I have discovered is that the parts of my fiction that people most tell me are 'unbelievable' are those that are most closely based on the real, those least diluted by my imagination.”
“In primary school in south-eastern Nigeria, I was taught that Hosni Mubarak was the president of Egypt. I learned the same thing in secondary school. In university, Mubarak was still president of Egypt. I came to assume, subconsciously, that he - and others like Paul Biya in Cameroon and Muammar Gaddafi in Libya - would never leave.”
“In particular I want to talk about natural black hair, and how it's not just hair. I mean, I'm interested in hair in sort of a very aesthetic way, just the beauty of hair, but also in a political way: what it says, what it means.”
“My greatest vanity is my skin. It is the colour of gingerbread and, thanks to my mother's genes, smooth and mostly blemish-free.”
“I own things I like, but nothing inanimate that I treasure in a deeply consuming way.”
“What I find problematic is the suggestion that when, say, Madonna adopts an African child, she is saving Africa. It's not that simple. You have to do more than go there and adopt a child or show us pictures of children with flies in their eyes. That simplifies Africa.”
“I can write with authority only about what I know well, which means that I end up using surface details of my own life in my fiction.”
“Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.”
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