George Edward Woodberry Quotes & Sayings

“Defeat is not the worst of failures. Not to have tried is the true failure.”

“The world is a multiplicity, a harvest-field, a battle-ground; and thence arises through human contact ways of numbering, or mathematics, ways of tillage, or agriculture, ways of fighting, or military tactics and strategy, and these are incorporated in individuals as habits of life.”

“Always, some great culture is dying to enrich the soil of new harvests, some civlization is crumbling to rubbish to be the hill of a more beautiful city, some race is spending itself that a lower and more barbarous world may inherit its stored treasure house.”

“Art has a double visage: it looks before and after. Romance is its forward-looking face. The germ of growth is in romanticism. Formalism, on the other hand, consolidates tradition; gleans what has been gained and makes it facile to the hand or the mind; economizes the energy of genius.”

“One can re-create what was in the mind of a mathematician a thousand years ago, recapture the truth of the intellect wherever it may have once come to light; but the image of art, that infinite variable of perception and expression in the individual, - that is not easily re-created, at least, not with certainty and in its original fulness.”

“'Old times' never come back and I suppose it's just as well. What comes back is a new morning every day in the year, and that's better.”

“The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples.”

“A writer is justly called 'universal' when he is understood within the limits of his civilization, though that be bounded by a country or an age.”

“Is there not an art, a music, and a stream of words that shalt be life, the acknowledged voice of life?”

“You may name a bronze statue 'Liberty,' or a painted figure in a city hall 'Commerce,' or a marble form in a temple 'Athene' or 'Venus;' but what is really there is only a representation of a single woman.”