Jessye Norman Quotes & Sayings (Page 4)
Jessye Norman quotes and sayings page 4 (79 year old musician). Here's quote # 31 through 40 out of the 46 we have for her.
“There's no anger ever in a spiritual. There's always the dream of a hope of a better day coming. That God understands the troubles that I'm experiencing.”
“As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.”
“I didn't think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one's very young life.”
“I enjoy reading about the lives of musicians, and find many similarities in their ideas of preparation and their utter devotion to this great, eternal language: music.”
“I love singing jazz. I don't like the idea that classical music should be over here and jazz should be someplace else. It's all wonderful, and we should be open to enjoying it all.”
“I sing in Hungarian. I read Hungarian. I do not pretend to speak Hungarian, but I sing in languages that I have studied as languages. And I find that to be central and very, very helpful. I think if you're not really cognizant of what every single word means, I think that might be a little tricky.”
“I sing in languages that I speak. So when I'm singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.”
“I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.”
“I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.”
“I was given the opportunity to write the kind of book that I wanted to write, rather than one that catalogues where I sang and what I sang and what I wore. I wanted to write a book about an American family, the family that has produced me. The longer I live, the more I realise the incredible support and love we were given as children.”
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