“I became interested in film making at around 16, when I discovered a friend of mine had a HI 8 camera which belonged to his father, which we were forbidden to use.”
“I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.”
“Americans like optimism, and 'Once' walks a tightrope: you feel uplifted at the end even if you're crying.”
“I like 'Guys and Dolls,' 'Singin' in the Rain' and 'A Star Is Born.' When it works, a musical is an amazing thing. But it rarely works.”
“I love actors, and I love good acting. I love what actors do when they're good, and I'm a big acting fan.”
“It's very hard to tell an actor, 'Stop acting.' It's easy to tell a non-actor, because they're embarrassed when they act. They get ashamed when they do something cliche, whereas an actor is happy.”
“After a couple of attempts at making shorts, I decided to make a feature film with a friend, Tom Hall, whom I've worked with ever since.”
“I dropped out of school at 17 and joined the Irish band The Frames, getting my first glimpse into the world of professional film making while shooting of a number of rock videos.”
“I think ultimately audience members like to see someone controlling the quality of a film. A lot of films you see are made by committees and studios and producers.”
“You're more constrained when you're wealthy. Or when you're making a bigger film and people complain about no budgets; but having a small amount of money to make a film means you're at your absolute freest to express yourself as an artist.”