“I think I will always be performing; I don't think I can take that away. Because I really just enjoy it. I like getting up to sing; I like the challenge of learning new material and singing it in front of an audience.”
“I can't be an ingenue forever, and I wouldn't want to be.”
“I have no inner monologue.”
“I pride myself in the fact that in the six months tour of Cinderella, I didn't take one show off.”
“I'd love to do just straight theatre. I'd love to do film and television, too.”
“I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.”
“I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.”
“The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.”
“I watch a lot of TV - 'Perfect Strangers,' 'Family Matters,' 'Who's the Boss?' - then I go over my notes in the script, lock it into my head and go to bed.”
“I seem to have a soft spot in my heart for Australia and Australian actors. After having worked with one in 'Cinderella' and a multitude of them in 'Cats,' I've wanted the opportunity to actually perform 'down under.'”