Suzy Menkes Quotes & Sayings (Page 3)

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Suzy Menkes quotes and sayings page 3 (journalist). Here's quote # 21 through 30 out of the 44 we have.

Suzy Menkes Quotes
“The clothes most worn by people are the clothes least commented on by the press.”
Suzy Menkes Quotes
“Change is good; it's what fashion is all about.”
Suzy Menkes Quotes
“There is something sad about clothes laid in a tomb of trunks.”
Suzy Menkes Quotes
“When I look at my clothes, I think of them as an expression of the joy and fun of fashion - with a bit of English eccentricity thrown in.”
Suzy Menkes Quotes
“With a global society hungry for luxury, distribution and supply chains are now as important for executives as a hands-on feel for products.”
Suzy Menkes Quotes
“I am thrilled to become international 'Vogue' editor at Conde Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the 'Vogue' websites.”
“As a journalist, I cannot help imagining with excitement a new era with a face-off between Hedi Slimane at YSL and Raf Simons at Dior - a magnificent battle of style and wills to echo the Armani/Versace, Gucci/Prada or even Chanel/Schiaparelli face-offs of earlier years. But I remind myself that this is not a game of chess.”
“I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.”
“I find some collections to be more vibrant than others, but the designers who last are those who are able to continue to be creative within the mold they have cast, usually right at the beginning of their careers.”
“I think there's a sort of agony with all intelligent and very creative designers that it's only fashion, that in the end it's only the decorative arts. I had a feeling towards the end that Saint Laurent and Berge were very keen to attain that immortality that a lot of designers long for. You know, those endless exhibitions.”

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