“I'd rather fiddle with my phone for precious seconds than neglect an apostrophe; I'd rather insert a word laboriously keyed out than resort to predictive texting for a - acceptable to some - synonym.”
“Many of my works fall into the category of 'Zeitgeist novels'. Yet I hope that they aren't only reportage, but also attempts to convey the sense of the present to the future.”
“Death, the real simile for disease - for when we are ill, do we not always feel like we are dying, even if it's only a little? - remains, despite our secularism, the most metaphoricised phenomenon of all.”
“For myself, I haven't been content to carry on producing books that merely strain against the conventions - as I've grown older, and realised that there aren't that many books left for me to write, so I've become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.”
“Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.”
“With spectacular events taking up so much of the available anxiety quotient, we need to be constantly reminded of the more workaday threats to our mortality - threats that, while they may also be functions of human error, have become so ubiquitous that we've begun to apprehend them as natural phenomena.”
“Some people have human muses - mine is a city. I feel a startling ambivalence towards London, but for better or worse my work has come utterly to depend upon it.”
“You may have gathered that I am not the most cheerful of revellers - some characterise me as the death and soullessness of any party but it wasn't always so, believe me.”
“As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.”
“When anyone starts out to do something creative - especially if it seems a little unusual - they seek approval, often from those least inclined to give it. But a creative life cannot be sustained by approval, any more than it can be destroyed by criticism - you learn this as you go on.”