“I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare.”
“In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile.”
“Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and have kids. Nothing much happens here.”
“You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.”
“I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels.”
“I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland.”
“All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.”
“I suppose one should have an integrated personality, but I've never really seen the point.”
“John McGovern taught me that it's OK to write repeatedly about the same things.”
“Between the ages of 8 and 12 it was difficult to know what my father was saying, and he moved very slowly, and then he died.”