Eleanor Catton Quotes & Sayings (Page 7)
Eleanor Catton quotes and sayings page 7 (39 year old author). Here's quote # 61 through 70 out of the 72 we have for her.
“In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are - about luck and identity and how the idea struck them.”
“In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.”
“My mum was a children's librarian, so I spent a lot of time in the library. My reading life, because of my mum's work, was evenly split between American, Canadian, Australian and British authors.”
“My parents took me to the Bronte parsonage in England when I was a teenager. I had a fight with my mum, burst into tears, jumped over a stile and ran out into the moors. It felt very authentic: A moor really is an excellent place to have a temper tantrum.”
“My second novel, 'The Luminaries,' is set in the New Zealand gold rushes of the 1860s, though it's not really a historical novel in the conventional sense. So far, I've been describing it as 'an astrological murder mystery.'”
“My sense of injustice about our family's 'weirdness' in not owning a car was amplified by the fact that we did not own a television, either - my parents were unapologetic about this and told me very cheerfully that I would thank them for it when I was older, which was quite true.”
“The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me.”
“The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other.”
“'The Luminaries' is such a different book to 'The Rehearsal.' There are only a couple of things that link the two books: there's a certain preoccupation with looking at relationships from the outside, being shut out of human intimacy; and then there's patterning.”
“There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.”
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