Eleanor Catton Quotes & Sayings (Page 6)
Eleanor Catton quotes and sayings page 6 (39 year old author). Here's quote # 51 through 60 out of the 72 we have for her.
“You can tell when a writer moves out of a place of struggle and into a place of comfort, and it's always a bad thing.”
“Any description of a person that comes from the outside is very hard to deal with. People don't like being summarised. It's nice to receive a compliment, but it makes me feel a bit uncomfortable.”
“As an artist, you need to be not at all entitled in your relation with the work. So money is kind of worrying. You can start to expect things if you're used to a certain level of comfort.”
“I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it.”
“I don't see that my age has anything to do with what is between the covers of my book, any more than the fact that I am right-handed. It's a fact of my biography, but it's uninteresting.”
“I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.”
“I had never read Victorian novels before going overseas. I read a handful of authors, but I had not immersed myself in the literature of the 19th century.”
“I highlight everything I find interesting, and then type out everything I've highlighted, and then print out everything I've typed, and reread these printed notes as often as possible.”
“I'm a Libra. I'm happy to be an air sign, but I do think I have a little too much air in my chart as a whole - some more water would be useful, especially in my personal life, as an emotional counterweight to all that abstraction.”
“In improvising, you've got your scale; you've got the notes that are going to sound good with other notes, the intervals that are going to sound good. But you've also got all the chromatic possibilities, the possibilities of sounding dissident, of being unexpected.”
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