“I love or hate things straight away. I like to go directly to action to see the result. I think I must be difficult, but at the same time, it's not for me to say.”
“I started making monkey bridges, like kids do, and climbing and rappelling with ropes. Very naturally, I needed some knots. At the very beginning, I didn't care, I didn't know, and then slowly I started to know, and I started to care. I wanted to know more knots or the right knot for the special action.”
“I started putting a wire up in secret and performing without permission. Notre Dame, the Sydney Harbor Bridge, the World Trade Center. And I developed a certitude, a faith that convinced me that I will get safely to the other side. If not, I will never do that first step.”
“I started very early, from five or six years old, to climb. To climb trees, to climb rocks everywhere I could. At some point, of course, I used a rope.”
“I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.”
“I, like everybody else, have a certain fear of heights, and I have to be very careful when I am in the clouds, but it is also what I love; it is my domain, so when you love something, you don't have fear.”
“If a leaf fell from a tree, I'd stop juggling and play with the leaf. I went to my prop bag and got a little bandage and stuck the leaf back on the tree. People loved it.”
“If I had been born in the circus, my parents would have pushed me on that little high wire at four years old. That's when the body is most limber to learn those acrobatics.”
“If I have to make a self-portrait, I would put poetry and rebellion on the list. To be able to walk on a wire, to be able to juggle six hoops, you need focus, another word for tenacity, which is passion.”
“If you see how carefully I prepare for any kind of walk, legal or illegal, small or big, you will see that, actually, I narrow the unknown to virtually nothing. And that's when I am ready to walk on the wire.”