James Gray Quotes & Sayings (Page 7)

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James Gray quotes and sayings page 7 (director). Here's quote # 61 through 70 out of the 87 we have for him.

“I think to be a movie critic is troubling from one major respect. If you are forced to watch ten movies a week, it's really only something you can do for a few years. After a while, it's a bit too much.”
“I went to see 'Star Trek Into Darkness,' and J.J. Abrams, who's a friend of mine, made this film, and I went to see it at the premiere. Believe it or not, I was really blown away by the comic timing of it.”
“I've been a Yankees fan for a long time. When I was a kid in the mid-'70s, the Yankees were really great. They had Reggie Jackson in '77. I was 8 years old at the time. He hit three home runs to win the World Series in game six against the Dodgers, and I was just hooked.”
“I've learned that you can never predict what will happen to a film. You can never predict if people will love it, if they'll hate it. It's an act of ego if you're hoping for everyone to love the film and tell you how great you are.”
James Gray Quotes
“If everybody lives in the same way, there's something almost narcotizing about it, but the true misery of economic class difference is knowing that you can't have what somebody else does.”
James Gray Quotes
“If everybody loves you, you must be doing something wrong. It means there's no button being pushed... The only way that everybody loves you is toward the end of your career.”
James Gray Quotes
“If you read about the astronauts who went to the moon - the 12 who walked on it, and the others who orbited - all suffered serious mental trauma of one kind or another.”
James Gray Quotes
“It's the demand of all demands to do a car chase that's unique because there are so many... really since the beginning of film, even in the silent era, 'The Keystone Cops.'”
James Gray Quotes
“It's very difficult to put your finger on why a certain actor or actress will capture your attention, and you'll think they're right for a role. There's an essence to a person.”
“It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.”

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