“In England, you laugh at yourselves; in France, we laugh at others.”
“My mother taught me to wash my hair as little as possible, and to rinse it with Coke before a shoot for a sexy, tousled look.”
“The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.”
“'Blanche' opened a new door for me without really making me more famous. 'Blanche' was a risk, but that is the only thing that excites me in this profession. The knowledge that I am an actress who takes risks lifts my soul.”
“I love acting; I love movie sets and movies, but, at the same time, there's something about the position of women in that world that frightens me a lot. I find it nearly inhuman to be an actress.”
“The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.”
“With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.”
“I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.”
“I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.”
“I was always the funny-looking girl. I couldn't compete with the Brazilian girls. My nose is off, my ears are too big. But I think it's my personality that these designers were drawn to.”